…you all think nothing new will be here, right? Hah! Here’s the cover to Fallen Angel #5, by Brian Stelfreeze. David Lop
29
2003
TIT FOR TAT
Just when I think the world can’t get any screwier, I can’t help but notice that the markings on Mike Tyson’s face uncomfortably remind me of the tattoos on serial killer Karl Coven from “Captain Marvel.” Now I don’t know how long Tyson’s had those markings, nor do I know if Ivan was aware of them, but they sure are evocative of Coven. All he needs is a tattoo displaying his brain. Then again, maybe Tyson doesn’t want a tattoo on his buttocks.
PAD
27
2003
NEED A BIT OF HELP
I’m trying to locate what appears to be a catalogue page on line with “Dangerous Visions” offered on it. There’s a review beneath it that starts off with ‘Although a legend, Harlan Ellison admits he’s a pain in the…” It is listed as an “editors pick,” and the review has a date on it of 4/29/03.
Furthermore, there’s a little “Buy me!” Icon.
I need to get a url for that page so I can read it myself. I’ve been checking google. and thus far come up empty. Does anyone have a clue from whence this piece originates?
PAD
27
2003
CAPTAIN MARVEL #14
Just turned in the script for CM #14. It is quite probably the weirdest one to date. And if you’re familiar with the history of the series, that’s saying something. Primarily a conversational issue as Captain Marvel chats with the original long-haired, leather-jacketed version of himself and his naive, blue-and-red uniformed version from the beginning of the run before he went nuts, while Rick talks with the young, sixties-talking Rick Jones who drove out onto the testing range (complete, inexplicably, with 60s-style slang like “Daddy-O”) and also Rick during the period when he was Captain America’s partner and dressed in Bucky’s old uniform (an action that Rick now refers to as “disturbingly necrophilic in retrospect.)
We’ll see how much of it actually sees print.
PAD
25
2003
CIRQUE
Kathleen, Ariel and I headed out today to Randall’s Island, just off the Triboro Bridge, to see the touring Cirque du Soleil production, “Varekai.” Very loosely based on ancient myth, “Varekai” tells the story of Icarus, speculating that he survived his plummet from on high and landed in a strange garden of fantastical creatures. Creatures who can, unsurprisingly, juggle, springboard, hurl around on straps, do dizzying trapeze acts, etc.
“Varekai” had all the spectacular, jaw-dropping moments we’ve come to expect from Cirque. In this case, however, there was something more. We followed a reality series on Bravo called “Fire Within” which depicted, from audition all the way through to the show going on the road, the development of “Varekai.” What I thought was going to be a promotional puff series instead was a remarkably detailed, honest, warts-and-all weeks-long documentary of everything the performers and creators go through to produce Cirque–overseen, all the while, by Cirque’s creator, Guy, whose judgment of what works and what doesn’t, who stays and who goes, is absolute. He votes you off the island, you’re gone.
Because of FW, we came to “know” a number of the players (although, obviously, they don’t know us.) As a result, it added a whole ‘nother level to watching Cirque, because we knew everything these folks had gone through to produce the show, and had come to like a number of them as people. My personal favorite was a young gymnast named Stella. We watched her trials and tribulations, seeing her gymnastic act morph into more of a trapeze act, which was something she was unaccustomed to. We watched her difficulties with a budding romantic relationship, even watched opening night when she was going nuts because her parents became separated, one of them didn’t have a ticket, and she was frantically trying to contact her father who had inexplicably shut off his cell phone.
So there we were, seated two rows from the front, and they had just finished one particular act which involved practically skating around on a slick cloth that simulated the surface of water. And there was Stella as a supporting player in that particular sequence. At the very end, she slid on her belly right up to where we were, reached down and unhooked one of the buckles securing the cloth so it could be removed. Then, her job done, she started to spin around to head off the stage.
Just loudly enough so she could hear me, I called, “Hey, Stella.”
She did a double take in her spin, stopped, glanced our way, and then grinned in acknowledgment. The entire moment took no more than two seconds. Hopefully it was a signal to her that her contributions as an individual are appreciated.
Either that or she thinks there’s some nut stalking her. Jeez, I hope not.
PAD
25
2003
IN CASE ANYONE’S PAYING ATTENTION
The Troll hammer, on which I was briefly the high bidder for about an hour, wound up going for about $3100. Holy crap.
Also, Angel related: With all the discussion about “Shonshu” in regards to Spike, I went back and re-watched the first season Angel episode for the first time in ages. I have to admit, I was impressed. (Read on, to avoid spoilers for our British friends.)
24
2003
Bookkeeping
An updated version of Peter’s bibliography is up. As always, thanks to Corey Tacker and Brett Hudgins for attention to detail that amazes even me and makes my life so much easier. In fact, I’ll bet cash that since they sent it a few weeks ago, it’s already out of date…
I’ve been incredibly swamped with projects, so I’ve been lax at posting BIDs and the like, but will get a large bunch of them up before I get truly busy. With what, you may ask? Well, I promise you’ll hear all about it by the beginning of June.
23
2003
MTV & ME
So Ariel and I went into the city today where I did two sets of interviews. With the advent of the Hulk movie, suddenly people seem interested in talking to me.
They seated me in front of a green screen (how perfect) as I was interviewed first for a half hour documentary about the Hulk. Slated to tie in with the film, it discusses comics in general, the rising interest in comic movies and, of course, the Hulk film. Next up was a broad-ranging chat for a one-shot (which might become an ongoing series) for VH1 called something like, “The Most Awesome Show Ever.” Basically it’s designed to cover the gamut of pop culture interests and activities.
While there, I met Jennifer Connelly (Betty Ross) who was also being interviewed for the Hulk documentary. A very sweet young woman, even more striking in person than on screen, with a nicely rounded, six-and-a-half-month pregnant bun in the oven. Her second, I was told. No word on whether it’s gamma irradiated.
PAD
22
2003
MTV INTERVIEW
I’ll be heading into the city tomorrow, because–get this–MTV is doing a whole documentary thing about the Hulk and they’re interested in interviewing me for it. I’m figuring I might well wind up on the cutting room floor, but hey, people want to point a camera at me and ask me what I think about things. So I’m there.
PAD
22
2003
HOUSEKEEPING AND STUFF
I’m not sure what sort of weird glitch caused so many multiple. I am, however, in the process of clearing it out. And since I was able to post without an error message, ideally this problem will not be recurring.
I think I got most of the multple comments on “Smallville.”
On to Buffy tomorrow.
Best,
PAD
20
2003
SMALLVILLE (Spoilers)
Both “Smallville” and “Buffy” will be actively discussed, so I’m splitting the topics right now. It’ll be interesting to see which generates more traffic.
(Spoilers)
18
2003
BLAST YOU, RAWHIDE KID
So I was very pleased with myself, since I’d picked up for a mere eight bucks from my video store a DVD of the original pilot episodes of the old “Lone Ranger” series. I’d watched the Clayton Moore/Jay Silverheels shows frequently when I was a kid, but never saw the first ones. Granted, for eight bucks, you can forget about extras. Be happy it plays at all. But I was pleased.
So I put it on and Kath and I settled in to watch it. The show opens, there’s the Ranger galloping up in the mask and the outfit, and the narrator says, “This is an epic tale of the most fabulous character of the old west.” And Kath and I looked at each other and immediately said, “Ohhhhh, he’s faaaaabulous!”
Uh boy.
PAD
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