Comics and Ageism

digresssmlOriginally published September 11, 1998, in Comics Buyer’s Guide #1295

Harlan Ellison told me an interesting anecdote, in relation to the Writers Guild of America’s committee on ageism. The head of the committee, a writer well into middle age, was complaining of rampant ageism in the industry: a very pronounced prejudice against older writers. Another writer, upon hearing this, said, “I know exactly what you’re talking about. I’ve had to deal with that kind of thing, too.” The committee head was skeptical that the relatively young man could have experience with prejudice on the basis of age.

The young writer then related the tale of an appointment he had with the producers of Spin City. He was going to pitch story possibilities, perhaps even be in line for a staff position. He called the day before the meeting to confirm. He was told, yes, by all means, they were looking forward to meeting with him. Then he was asked, “By the way, how old are you?” He was, he told them, thirty-one.

“Oh,” the person on the other end informed him, “Then you don’t have to bother coming in. We’re only looking for people in their twenties.” Keep in mind that the series was created by Gary David Goldberg, who hasn’t seen twenty in several decades.

Talent didn’t matter, experience didn’t matter, knowledge didn’t matter. Old is bad, young is good, and anything which has the slightest taint of “not now” is tossed aside.