Obama is addressing the nation right now about what’s going on in Libya. About time. Might as well live blog it below the cut line.
PAD
Obama is addressing the nation right now about what’s going on in Libya. About time. Might as well live blog it below the cut line.
PAD
Originally published January 6, 1995, in Comics Buyer’s Guide #1103
It’s that time again.
Continuing a long-standing tradition that’s been around ever since I first did it last year, BID herewith presents its list of Most Awards. Named after Donny Most, the Most Awards are a tribute to passing oddities, curious happenings, and passing fancies (all of which kind of describe Most’s brief claim to fame as Ralph Malph on Happy Days.)
Actually, of course, it’s an excuse to do a column about a variety of stuff which either bugs me or simply doesn’t fit in anywhere else. In any event: The 1995 Most Awards. May I push the envelope, please?
Go check out “Paul.” A self-proclaimed love letter to Spielberg (who even has a cameo), it chronicles the adventures of two nerds played by Simon Pegg and Nick Frost, doing for alien encounter films what they’ve done for zombie flicks and cop movies. On a road trip following the San Diego Comic Con, they wind up unwillingly giving a lift to a convivial alien (voiced by Seth Rogen) who is on the run from an MIB-like agency that wants to pick his brain…literally. Filled with countless in-jokes and inspired meta casting (who runs the agency that’s out to get the alien? Sigourney Weaver, of course), “Paul” will enable you to discern the kindred spirits in the theater by who laughs at certain lines (ex: dialogue from “Star Wars,” “Aliens,” and other classics show up at unexpected and yet wholly appropriate moments.) Along for the ride is SNL’s Kristen Wiig as an die-hard bible thumper who unexpectedly has her world widened and winds up reveling in using profanity (badly) and exploring physical pleasure (awkwardly).
Naturally this is the kind of film that Oscar will never have any truck with, but if it’s not up for a Hugo next year, there’s no justice.
PAD
Originally published January 1995, in Comics Buyer’s Guide 1995 Annual
Is it possible to have too much of a good thing? If so, it would seem Marvel Comics has managed it.
You know how, when you watch “Mission Impossible” (the original series) there’s this absurd aspect to the rubber masks they would wear. That somehow they would pull on these rubber masks and then the camera would cut away and then cut back and magically the “mask” was an undetectable human face. And of course you knew they simply switched actors because in real life the “face” would just kind of hang there and look artificial.
Well, I’ve been looking at pictures of K’Daffy, and his face looks like a fake rubber mask.
Apparently the LIbyan government has been infiltrated by the IM force. Now I feel better about the end game: Phelps always knew what he was doing (I’m ignoring the movies which had the temerity to paint Jim Phelps has a traitor. No way.) This is going to end with the real K’Daffy coming to in the middle of a square somewhere in Libya, with angry people aiming guns at him from all directions, and in the distance an oversized van is going to be rolling away while familiar theme music plays.
PAD
Originally published December 30, 1994, in Comics Buyer’s Guide #1102
Seeing Star Trek Generations (no, this isn’t another review) pointed out for me, in stark relief, some of the major differences between Star Trek: The Original Series (TOS) and Trek of the Next Generation. So I thought I’d point them out to you, too.
Mike Weber informs me that X-Factor won a GLAAD media award for positive portrayal of lesbian and gay characters. The awards ceremony was last night in NY.
UPDATED March 21:: Have I mentioned how much I love automatic translation programs? Naturally I did a Google search to see how widespread reporting of the GLAAD awards was. This is from the AP wire service piece:
Nonelectronic media winners include The New York Times columnist Frank Rich and Peter David for his Marvel comic book “X-Factor.”
And this was from a web site in Hunan:
Nonelectronic media winners include The innovative York epoch contributor Frank Rich and Peter David intended for his Marvel comic tome X-Factor.
PAD
Recent Comments