Busy day Saturday. In the morning, rehearsed for the production of “CHECKING OUT” that opens in one week at the Broadhollow Centre Stage at Molloy College on Long Island. In the afternoon, Kathleen and I (with Ariel on board) fought Belmont-generated traffic to drive way the hëll over to the depths of North Jersey for a party held by Kathleen’s boss at Del Rey Paperbacks. Shelly (for such is her name, and I hope I spelled it correctly) and her husband have a lovely house right on the lake, and Ariel spent practically the entire day canoeing.
The only extended time spent indoors was gathering around the telly to watch the running of the big race at Belmont. Personally, I didn’t give a dámņ about the Triple Crown. Didn’t care whether War Emblem finished Win, Place, Show, or at all. No, once they announced the horses, I was immediately rooting for Artax Too. Why? Because I liked “The Neverending Story,” and that was the name of the young hero’s horse who sank into a quicksand pit in a heartwrenching sequence guaranteed to send any viewer under the age of nine into hysterics. But I was realistic. Artax Too was a 70-to-1 shot, and I figured, What’s the likelihood of a 70-to-1 shot winning?
My luck. I was rooting for the wrong 70-to-1 shot. I could have looked like some kind of genius if I’d been pulling for Sarava, who as near as I can tell was named for an obnoxiously marketed Broadway musical of some years back based upon the film “Donna Flor and Her Two Husbands.” Chances are that if I’d been at the track, sheer perversity would have prompted me to lay down money on Sarava along with the other long-shot, and I’d have made a bundle of money. As it was, all I got out of the deal was traffic jams.
Does anyone know if Artax Too has actually crossed the finish line yet?
PAD
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