Reviewing Aladdin

digresssmlOriginally published December 25, 1992, in Comics Buyer’s Guide #997

It seems that Disney keeps upping the stakes with every animated release. The animation crews look at the success of the previous film and must bite their fingers nervously, because they don’t want to be the ones who blow the current roll that the features are on.

It started with The Little Mermaid, of course, and the advent of Broadway-quality standards to the world of the animated film. It bypassed The Rescuers Down Under, which drew some accolades for some interesting computer tricks but not much beyond that.

Then it took a quantum leap forward with Beauty and the Beast, upping the stakes tremendously with not only audience and critical adoration, but the unprecedented Oscar nomination for “Best Film”–and quite a few people (myself included) felt it deserved to win.

So now the focus shifted to Aladdin, Disney’s 31st animated release. The pressure was on. The heat was turned up. Not to mention it brought with it the fact that it represented the final collaboration of composer Alan Menken and lyricist Howard Ashman, the latter having succumbed to AIDS prior to the release of Beauty and the Beast.

The verdict?

Truth, Justice, and Sticker Fun

digresssmlOriginally published December 18, 1992, in Comics Buyer’s Guide #996

There’s definitely something wrong with me.

I’m missing the boat. I’m out of the loop. I’m just not with it.

Why? Because I’ve gone beyond the saturation point with the marketing surrounding the death of Superman. I am now solidly repulsed by it.

Has Anyone Done This?

I heard an oldies song on the radio called “I’m Your Puppet.”  Has anyone done a video of it using “Smile Time” from “Angel” as the source material?  Because it seems perfect.  I could see it in my head.

PAD

The BID Poll Results, Part 1

digresssmlOriginally published December 4, 1992, in Comics Buyer’s Guide #994

Douglas Kass, the author of the notorious Barrons article that set off a firestorm of negative publicity for Marveleven though it was loaded with misinformationwas one of the earliest respondents to the “Future of Comics” survey. On his poll, he jotted down the question, “Are we having fun yet?”

The answer is, yes, we had a lot of fun.

From the tongue-in-cheek nature of the survey, I wasn’t certain how many people would take it seriously enough to respond. The answer was: 219. For a first-time effort that doesn’t result in plaques, awards, banquets, or anything except a few laughs and some intriguing insights, we here at BID were extremely pleased with the turnout. Heck, I thought if we topped fifty, we’d be lucky.

Apparently there are quite a few folks out there who want to be able to look for the future and say, “Ha! I saw that coming back in 1992.”

Here, then, are the responses, compiled with the use of Survey Tabulator, software from issue #9 of Big Blue Disk. We present, in each case, the total number of responses and the percentage they represent. In several instances, the percentages will add up to more than 100% since multiple responses were available for some questions.

Some of the replies werecurious. There was the fellow whose responses were primarily anti-Japanese and anti-Semitic. And then, of course, there was the respondent who wrote “Who cares?” to every single question. Imagine spending 29¢ to mail that in. It’s rare that you find apathy quite that contentious.

Any entry that got more than one vote is listed, as well as some of the more interesting single-vote getters. My (inevitable) comments follow some entries.

Here we go:

Hey, Did You Know the Word “Gullible” isn’t in the Dictionary?

Honest to God, the gullibility quotient this year for fans is through the roof.  I look around the Internet or get emails from people raging over obviously bogus announcements or see them lambasting various creators over things they were alleged to have said and obviously didn’t.    It’s as if April Fool’s Day was invented for the hair-trigger mentality of Internet denizens to go nuts over. Still, in the spirit of the day, I offer the following Broadway Moment that sums it all up:

PAD

Cowboy Pete Votes to Stay On the Island

As the series barrels towards its final six episodes and inevitable denouement, the stakes have been made abundantly clear.  Gone are all the notions that the show is “about” some massive scientific experiment gone wrong that was perpetrated by the Dharma Initiative.  Indeed, I can’t remember off hand the last time the group was mentioned by name, although as it so happens the name “Dharma” means “righteous path.”  And it’s become evident that that is what the show is truly about:  following a righteous path toward, perhaps, enlightenment.  The light is now dawning for all the remaining survivors and, thank God, for the viewer.