Movie remakes and more

digresssmlOriginally published November 3, 1995, in Comics Buyer’s Guide #1146

Miscellaneous thoughts:

There’s a “public service” ad presently running in local theaters which features Julia Louis-Dreyfus talking about film preservation. It starts off with her watching a clip from The Odd Couple (the film, not the TV series). And then she explains how we are in danger of losing our film heritage. We are told that movies, unless they are specially preserved, are deteriorating even as we’re sitting in the theater. Time is ticking.

And what occurred to me was that, yes, this was a tragic thing. Movies falling apart, the celluloid self-destructing.

On the other hand…

It also meant that, throughout the country, in every state throughout this great land of ours…

…prints of Showgirls are decaying as well. And with any luck, Punisher and Captain America have crumbled to dust by now.

See? You can find a bright side in anything.

* * *

I was not the least bit surprised when O.J. Simpson pulled out of the TV interview. I never saw the point of it in the first place. Those who are convinced he did it assume he’s a liar and won’t believe his claims. So he won’t change any minds on that score. He could, however, say something stupid and end up changing the minds of those who believe he was falsely accused. It’s a lose-lose situation. No upside to speak of.

In any event, people keep speculating about the questions they would have liked to ask him. (Like, “So have you bought new gloves?”). But me, I’m fascinated by the polls that indicate all those people who state uncategorically that they believe O.J. was framed. I’d like to ask them questions. Questions such as:

1) Do you believe Lee Harvey Oswald acted alone?

2) Do you believe the Kennedys had Marilyn Monroe assassinated?

3) Do you believe Elvis is still alive?

4) Do you believe in reincarnation?

5) UFOs?

6) The Loch Ness Monster?

7) Do you believe the statistically insignificant Nielsen ratings remotely reflect the viewing habits of this country?

8 ) Do you believe Clinton has a prayer in 1996?

9) Do you believe a Joe Ezterhaus script… any Joe Ezterhaus script… is worth $1.5 million?

10) Do you believe that there would be a circumstance under which you’d go on a national talk show and talk about your most personal problems?

11) Do you believe Marvel will never open up retail outlets?

12) Do you believe everything you read in supermarket tabloids?

I’d be curious to see the number of “yes” answers that overlap. After all, people don’t exists in a vacuum, and what they believe in other matters would be indicative to me just how seriously I should take their other opinions.

One other thing, and then I’ll cheerfully leave this dead horse to be flogged by others…

People have been comparing the O.J. trial to that of Lizzie Borden. Immortalized in a poem about doing her parents in, it was popularly believed that she had slain them with an axe. But she was found Not Guilty.

So, to be fair, I unleash the following doggerel:

O.J. Simpson took a knife,

Whacked a waiter, whacked his wife,

When they saw what he had done,

They blamed it all on Mark Fuhrman.

* * *

I saw trailers for this hot new movie staring Demi Moore, so pulse poundingly photographed that I thought it was for that new film of hers about strippers. Imagine my shock when I saw it was The Scarlet Letter, that immortal classic which put me to sleep in high school (the endless “Customs House” chapter alone is enough to send one screaming from American Lit class.)

And coming soon, Harrison Ford starring in the remake of Sabrina. With other remakes on the way, I’m sure.

What I want to see is remakes for the 90s that suit the styles of particular directors or producers. For example:

1) ‘Boat. A remake of Showboat. A Joel Silver production, directed by Richard Donner. Imagine, if you will, the tension. A bomb has been planted aboard a turn-of-the-century Mississippi paddlewheeler by a demented ex-choreographer (Dennis Hopper). If the ship goes slower than five nautical miles an hour, the thing explodes. The anxiety builds as desperate lawman Sam Clemens (Keanu Reeves) commandeers a rowboat and frantically rows his way in front of the ship, holding up a sign that says Bomb on Boat.

Upon realizing the predicament, Cap’n Andy (Ronny Cox) has a heart attack and it’s up to Noli (Sandra Bullock) to keep the ‘boat going while Sam tries to think of a way out of their predicament.

A generational saga spanning the course of twenty years, ‘Boat’s soundtrack would feature songs by Hole, Hootie and the Blowfish, and Snoop Doggie Dog’s rendition of “Old Man River.”

2) Casablanca. A Paul Verhoven film. Script by Joe Ezterhaus (paid $3 million for a script written on toilet paper during a bout with the trots). American ex-patriot Rick Blaine (Arnold Schwarzenegger) runs a combination strip joint and brothel in Casablanca. His carefully cultivated air of ennui is shattered when his old lover, Ilsa (Sharon Stone) comes to town, seeking passage to America. But there’s a twist, for Ilsa is not alone… she’s accompanied by her lesbian lover, freedom fighter Victoria Lazlo (Julie Andrews).

Will Ilsa remain with Rick? Will Rick try and reawaken the heterosexual relationship they left behind? Will Captain Renault (Gerard Depardieu) be a friend or an ally, a question that can also be asked of rival club owner Signor Ferrari (Marlon Brando). And meantime Major Strasser (Rutger Hauer) is closing in…

Featuring major action sequences as Rick takes out entire Nazi divisions with his bare hands. At the same time, Ilsa is pressed into service lap dancing at Club Rick’s to earn her exit visa, sending Rick, Ilsa and Victoria into a dizzy downward spiral of sexual exploration and depravity.

Sample dialogue: RICK–Of all the strip joints in all the towns in all the world, she has to come in mine.

3) The Wizard of Oz: A Quentin Tarantino film.

Open with the Emerald City. A young girl and her companions dies in a hail of gunfire.

CUT TO a downtrodden street kid Dorothy Gale (Uma Thurman), while preparing to shoot up in an alleyway in Los Angeles, trips and falls. The hypo buries itself in her chest and she collapses on the filthy ground.

COT TO a good witch (Bette Midler) who travels around on a silver surfboard and an evil witch (Amanda Plummer) who kill each other in an explosive hail of gunfire.

CUT TO Dorothy, sent into a bizarre drug-induced dream (inspired by a measurement line on the hypo tube that reads “oz”) in which she finds herself in a bizarre land called Oz. She discovers the corpses of two witches but has no idea what happened. Dorothy is on her own and has to travel to seek help from the Wizard of Oz (Quentin Tarantino). On the way she teams up with a hitman who has no brain (John Travolta), a hitman who has no heart (Samuel L. Jackson) and a hitman who has no bravery (Bruce Willis). They arrive at the gates of the Emerald City and are machine gunned to death.

CUT TO an alleyway where Dorothy’s corpse is looted by a passing bum (Harvey Keitel) who exposes himself and slinks away.

4) North by Northwest directed by Brian DePalma. Tom Hanks instead of Cary Grant. Otherwise identical to the original.

5) Schindler’s List written and directed by Mel Brooks. Sure, it’s recent. So was Star Wars when Brooks produced Spaceballs, and Robin Hood: Prince of Thieves when he did Robin Hood: Men in Tights. Retitled Schindler’s Lisp, Mel Brooks is in a double role as Hitler and as Schindler. Schindler is portrayed as a flaming lisping homosexual, with many hilarious results. Anne Bancroft plays his frustrated wife, with Dom DeLuise as the corpulent Nazi Commander who is amused by Schindler’s mincing.

Early word on the Concentration Camp sequence is that it’s Brooks at his best. Fearful Jews forced to play Concentration, overseen by Alex Trebeck as himself, while singing Nazis form a kickline and perform “Springtime for Schindler.”

Sample Lyric from the opening song, performed by Mel Brooks:

“He’s making a list;

Wow, wotta guy;

Gonna decide who’ll

Live and who’ll die;

Oskar Schindler’s coming to town.”

Promo poster: Brooks as Hitler, thumbing his nose and saying, “So? How’s by Jew?”

Boy…

It’s moments like this that I think I’ve got way too much time on my hands…

(Peter David, writer of stuff, can be written to at Second Age, Inc., PO Box 239, Bayport, NY 11705. And the above doesn’t even include The Agony and the Ecstasy featuring Art Adams as Michelangelo taking forever to finish the Sistine Chapel ceiling…)

 

19 comments on “Movie remakes and more

    1. Not #1 and #8? Interesting. I DO believe Oswald was the only shooter. (Back and to the left is actually the way physics works. Small bullet with little mass exits and pushes back.)

  1. And to think, when I have too much time on my hands I just come up with showtunes about alien abduction.

  2. You were not that far off the mark with Casablanca. It was remade with Pamela Anderson in the role played by Humphrey Bogart in the original. Except that it was called Barb Wire 🙁

  3. And what movies opened this past weekend? Conan and Fright Night.
    .
    The week before? The prequel/remake/reboot Rise of the Planet of the Apes.

    1. As BID premonitions go, this one is not that surprising. Sequels, adaptations, remakes, and their various cousins have always and will always be a part of the movie business (as long as there is such a thing as the movie business).

  4. I always wanted to be an English teacher, give a lesson on THE SCARLET LETTER, and have a student who only saw the Demi Moore movie describe it from that. (“Yeah, the scene where the Indians raid the town was epic! And the hot sex scenes really show how much Hawri– Harrin– whoever wrote it really showed what a hot heroine Hester was. Why are you looking at me like that?”)

    Sadly, Moore’s THE SCARLET LETTER is one of those occasions where a good book (excepting the long forest description at the opening) *can* be ruined by a bad movie. As PAD has said before, the book itself is unchanged; however, for a time many people who didn’t read it but only saw the movie thought the story of THE SCARLET LETTER was that dreck on the big screen. They shouldn’t drag in the plot (or elements of a plot) and characters from a classic if they’re not going to respect the original. As Gerard pointed out, BARB WIRE may have been based on CASABLANCA, but they didn’t call it CASABLANCA and make Ilsa a Pam Anderson gun-wielding, corset-wearing ášš-kickin’ heroine.

    1. I always wanted to be an English teacher, give a lesson on THE SCARLET LETTER, and have a student who only saw the Demi Moore movie describe it from that.
      .
      see — the movie “Easy A”.

      1. I strongly agree! Great movie and actually discussed the novel intelligently! Between this film and “The Help,” Emma Stone is definitely an actress to look out for!

      2. I did see the movie EASY A, and while I wasn’t thrilled with it thearmchaircritic.blogspot.com/2010/09/easy.html at least they didn’t try to remake TSL and miss the points of the original (like Moore did).

        For my money, great adaption that *was* true to the spirit of the original was CLUELESS, bringing Jane Austen’s EMMA into the high school world effortlessly — and keeping the heroine who’s so busy matchmaking for others she can’t see what’s there for herself.

      3. Actually, I didn’t bring up “Easy A” as an adaptation of “The Scarlet Letter” (although there are elements of that). I mentioned it because there is a scene that is exactly what you described – an English teacher complaining that students’ papers on “The Scarlet Letter” make reference to the movie and how hot Demi Moore was.

    2. Right. They made *Rick* a Pam Anderson, gun-wielding, corset-wearing ášš-kickin’ heroine.

  5. I just today saw the remake of “Fright Night,” which I considered one of the best horror movies of the 1980s. (Is that dámņìņg with faint praise?) I liked the new version, especially considering it took into consideration something the original ignored, that the vampire next door must might want to turn the mother as well as the girlfriend. (But then, in the 80s, MILF wasn’t a concept people talked about.) And I honestly didn’t recognize David Tennant when he first appeared on the screen. I won’t say who he plays, to see if anyone else had the same reaction. I was hurt to see the movie did so poorly on its opening weekend.

    And how in hëll are “The Smurfs” holding on to the box office the way it is?

    1. And how in hëll are “The Smurfs” holding on to the box office the way it is?
      .
      Because it’s safe for people with small kids, that’s why. What would you suggest they take them to? “Fright Night?”
      .
      PAD

      1. .
        Wait… You’re saying that “Fright Night” was the wrong choice for movie night with Ian? So that’s why I was sleeping on the recliner the other night.

      2. True dat.

        If you take Caroline to see it (if you haven’t done so already), let us know how she likes it. May be taking a very young niece to see it.

  6. “7) Do you believe the statistically insignificant Nielsen ratings remotely reflect the viewing habits of this country?”

    What leads to to believe that the Nielsen samplings are statistically insignificant? In real, honest-to-mathematics, statistics, the two relevant factors are (1) total sample size, and (2) is the sample a truly random sample of the population (i.e., no biases one way or another). The fraction of the total population that the sample represents is irrelevantm so long as the sample is truly random. A sample of 100 gives an error of + or – 10%, a sample of 400 gives +/- 5%, and a sample of 10,000 gives +/- 1%.

    To quote the wonderful Wasp: “Need I add, I looked it up!”

    1. Furthermore, a sample by itself cannot be statistically significant or insignificant. Rather, it’s the observations made from that sample which can be statistically significant or not; this depends partly on the sample size, but on other factors as well.
      .
      That said, I think the real criticism against Nielsen these days is that the sample does not represent a truly random sample of all television viewers or all television viewing. Within the group of people that meet the Nielsen criteria, I’m willing to believe they’ve gotten a random sample, but the criteria themselves introduce a fair bit of bias.

      1. Thanks for the corroboration. And I agree that it’s well within the realm of possibility that Nielsen’s samples don’t truly represent the population that they are assumed to cover.

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